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SCOTT HETZ CLARK, a baritone from Leesburg, Virginia, has captivated audiences with his versatile vocal talent and commanding showmanship. A James Madison University School of Music alumnus, Scott made his operatic debut in 2019 at the Prague Summer Nights Young Artist Festival, performing the title role in Mozart’s Le Nozze di Figaro at the historic Estates Theater in the heart of Prague. Since then, he has showcased his “youthful and powerful baritone voice” across the United States and Europe in roles such as Don Giovanni in Don Giovanni, Papageno in Die Zauberflöte, Sulpice in La fille du régiment, Mayo Buckner in Tom Cipullo’s Mayo, Pooh-Bah in The Mikado, Sid in Albert Herring, and Sweeney Todd in Sweeney Todd: The Demon Barber of Fleet Street.

Most recently, Scott spent the winter season with Opera Naples as their Resident Artist baritone, performing under the baton of international conductor Ramón Tebar. In 2024 he was an Emerging Artist at the historic Seagle Festival in upstate New York, performing the title roles in Don Giovanni and Sweeney Todd. In 2023, he made his Lincoln Center debut with Teatro Nuovo where he earned praise for his performance as Don Asdrubale in the Ricci Brothers’ rarely performed comedy Crispino e la comare. He has collaborated with the Sarasota Opera, Opera Baltimore, Bel Cantanti Opera, The Castleton Festival, and Lyric Opera Studio Weimar. Scott has twice competed in the Metropolitan Opera Laffont Competition, winning an Encouragement Award in the DMV District in 2023.

Beyond opera, Scott excels in oratorio, performing as a soloist in Haydn’s Creation, Berlioz’s La Damnation de Faust, and Handel’s Messiah, Vaughan Williams’ Five Mystical Songs. Scott also brings his artistry to jazz and American Standards, performing frequently across the Northern Virginia and Washington D.C. area. He is deeply committed to community engagement, serving on the board of directors at Loudoun Lyric Opera, where he focuses on developing opera from a grassroots level.

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E fra quest'ansie (Silvio's Aria) from Leoncavallo's "Pagliacci" - Scott Hetz Clark

Scott Hetz Clark, baritone
E fra quest'ansie (Silvio's Aria) from Leoncavallo's "Pagliacci" - Scott Hetz Clark
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E fra quest'ansie (Silvio's Aria) from Leoncavallo's "Pagliacci" - Scott Hetz Clark

E fra quest'ansie (Silvio's Aria) from Leoncavallo's "Pagliacci" - Scott Hetz Clark

04:01
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Avant de quitter ces lieux from Charles Gounod's "Faust"

Avant de quitter ces lieux from Charles Gounod's "Faust"

04:22
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Luck Be a Lady from "Guys and Dolls" - Scott Hetz Clark

Luck Be a Lady from "Guys and Dolls" - Scott Hetz Clark

03:00
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Hai gia vinta la causa (Count's Aria) from W.A. Mozart's "Le nozze di Figaro"

Hai gia vinta la causa (Count's Aria) from W.A. Mozart's "Le nozze di Figaro"

04:58
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"...the revival of the show was mainly thanks to the dexterity of Scott Hetz Clark in the role of Don Giovanni..."                   
                 - Helena Havlikova, Opera+
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"...and the handsome baritone Scott Hetz Clark (an incongruously young and barihunky Don Asdrubale) were very much in the picture..."
                 - Eli Jacobson, parterre box
"Baritone Scott Hetz Clark gave a phenomenal performance (as Don Asdrubale)"
                       - Jennifer Pyron, OperaWire

 
"Scott Hetz Clark was too young and handsome to play the unpleasant and miserly Don Asdrubale but was convincing in his heart attack scene..."
              - Meche Kroop, VOCE DI MECHE
"...and Scott Hetz Clark (USA) gave Masetto a sympathetic touch with his young, powerful bass-voice"
                    - Thüringische Landeszeitung
"Scott Hetz Clark was suitably irksome as Don Asdrubale, the miserly landlord, hounding Crispino and his wife for the rent"
                 -Richard Sanasow, BroadwayWorld
"...another highlight (of the gala) was Franz Schubert's “Der Lindenbaum”, performed by Scott Hetz Clark, who was just 22 years old, from the USA."                   
                 - T
hüringer Allgemeine
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